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Author: Gloss Magazine

Special Feature 

Help Is On The Way with Sheryl Lee Ralph

December 6, 2019December 7, 2019 Gloss Magazine

Dreamgirl Sheryl Lee Ralph joins the cast of Help Is On The Way For The Holidays XVIII

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Artist Spotlight 

Phi Phi O’Hara Makes Their Peaches Christ Debut

December 6, 2019December 9, 2019 Gloss Magazine

Phi Phi OHara gets ready to take the stage with the cast of Femlins

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Artist Spotlight 

Peaches Christ: Grem Fatale

November 30, 2019December 3, 2019 Gloss Magazine

Peaches Christ talks her new “Gremlins” drag parody show.

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Artist Spotlight 

Born in a Graveyard

November 15, 2019November 15, 2019 Gloss Magazine

Mika on his cathartic new LP, duet double standards and the consequences of being out By Chris Azzopardi It’s 8:30

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Celebrity Feature 

Love Him Little, Love Him Long

November 15, 2019November 15, 2019 Gloss Magazine

“Hedwig” creator John Cameron Mitchell talks new podcast and the power of crowd-surfing By Chris Azzopardi You very well may

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Artist Spotlight 

Stretching, Piercing, and Stapling with Hollow Eve

November 8, 2019December 2, 2019 Gloss Magazine

Interview by Reid Cammack // Photos by Eric Magnussen & Alejandro Carvajal Halloween may be over, but Hollow Eve isn’t

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On The Cover 

Meet the DJ: Ben Bakson

November 7, 2019November 8, 2019 Gloss Magazine

DJ Ben Bakson was born and grew up in South Germany. His half German and half Slovenian roots are both

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On The Cover 

Plot in a gay porno?

October 27, 2019October 27, 2019 Gloss Magazine

Interviews by Frank Fanucchi | Photos by mr. Pam Moore scares, Moore hijinks, Moore dicks! Prepare yourself for another fright-fest

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Celebrity Feature 

Adam Does Adam

October 27, 2019October 27, 2019 Gloss Magazine

Glam-pop performer talks creative freedom, LGBTQ music evolution and his full-circle Cher moment By Chris Azzopardi At this point, “American

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Celebrity Feature 

Writing the Unwritten

September 26, 2019September 26, 2019 Gloss Magazine

Natasha Bedingfield on the LGBTQ community’s strength, repressive upbringing and how the ‘nameless should be famous’ By Chris Azzopardi When

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